Comics: Evolution Through The Ages – Part I

Superman always has a way of exploding onto the scene. Especially in 1938!


Crude Beginnings

The comics universe has grown immensely since superheros started gracing their pages. There have been many changes in society that have been reflected in the comics world since their creation that historians have divided the evolution of comics into the different ages.

Historians cite earlier works from different cultures as giving birth to our modern day comics. These historians are citing works that, as long as there is a narrative being told while using sequential images, it is considered a type of comic strip.

One such example is Trajan’s Column in Rome, Italy. The column is approximately 100 ft. tall not including the base. It was completed around 113 AD as a symbol of the Roman victory over the Dacians. A relief that told the story of the war through sequential images and some text started at the bottom of the column and spiraled to the top continuously telling the story. Another major example would be the works of William Hogarth. Hogarth was an English printer, painter and satirist in the early to mid 1700′s who could be called one of the first cartoonists as his works in sequential art often made fun of customs and politics locally and abroad. The late 1800′ and early 1900′ saw the availability of small books that contained collections of comic strips from the newspapers in them. These historical examples of sequential art were apparently the crude beginnings of the modern day comic.

Almost 100 feet tall, Trajan's Column tells the story of the Roman victory over the Dacians and does so in the same format as the modern day comic strip.

A close up of the artistry on Trajan's Column. It's amazing how much detail went into telling the story.



The Golden Age:

It is commonly agreed among many that the Golden Age of the comics universe began when Superman exploded on the scene with his first appearance in 1938′s Action Comics issue #1. After that the comic book universe, small as it was at the time, was starting to see a swift growth in the superhero archetype in the comics. Shortly after Superman came others such as Aquaman, Batman and Robin, The Human Torch, Wonder Woman and a short list of others.

This growth was largely due to the social environment of our country at the time. The United States was coming out of the depression and World War II was looming large on the horizon. Everyone could have used a superhero! These comics were quick reads and in the end, always presented the theme of the good guys coming out on top.

During World War II, the comics often depicted our favorite superheros slapping around the Nazis and other enemy axis powers of the day. The good will triumph over evil! These stories helped the moral of society as a whole back then.

The comics industry also helped society from an economic standpoint as well. Comics were booming then so were the artists, the printers and everyone that had a part in getting that comic book into your hand. That meant jobs and demand for comic books was high. One instance of particular mention would be the introduction of Captain Marvel. At one point he became more popular than Superman and Fawcett Comics was putting out two issues per week to capitalize on the demand. Captain Marvel was selling almost one and a half million copies per issue at the time and that made it the most circulated comic book in America.

Some of the different genres of comics were developed during these times as well. It wasn’t always about some suped up character running around whoopin’ on all of the bad guys. Along side of the most popular superheros of the day were others types of stories such as mystery comics, horror comics, detective stories and just plane weird tales.

It was during these beginnings that writers and artists developed the styles and techniques of production that are still the foundation of what brings your favorite superheros to life today.

Check out these clips. Over the years there have been some pretty good live-action attempts at bringing classic comic book heros to life. For as cheesy as these were (and some were sooooooooooo cheesy) they were good for their time and still have many fans today. My personal favorite of the TV shows was the Incredible Hulk with Bill Bixby and Lou Ferrigno.

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Comics: Evolution Through The Ages – Part III


The Bronze Age of Comics

This is one issue that got Superman toned down because in this one he was shown to be moving the entire planet Earth.

The Bronze Age of Comics is generally considered by comics fans and historians to be the period from 1970 to apporximately 1985. There are a lot of factors and several events that took place during this period that differentiate it from the previous eras. Some of these differences come in the form of the deaths of some popular characters up to and including the loosening of a few of the CCA’s (Comics Code Authority) rules.

First off, the Bronze Age ushered in the death of a few genres of comics most notably are romance, war stories, and westerns. These had all been staples of comic book publishers since the 1940′s. Story lines and polots started to take on darker tones in most if not all of the super hero comics. Some of our favorite heros were getting overhauls themselves. Superman is one that comes to mind because the Editor-in-Chief at the time, thought that “Sup” had too many powers and needed a little toning down.

There were quite a few changes in the leadership in the big comic houses and with this change came a change in attitudes. This was in part responsible for the visible impact of deeper social issues present at the time. Issues such as social minority and feminism started to take the stage in the form of new superheros of differing race and gender. Great examples would be (with the exception of Black Panther and Falcon) Luke Cage and Storm and Black Lightning. Feminists had their day when Spider Woman, She-Hulk and Ms. Marvel hit the news stands.

The CCA also loosened it’s tie during this period. Not of its own accord though. Stan Lee was approached at one point during the early 70′s by the U.S. Department of Health to do a comics story involving the cruel realities of drugs and addiction.

These three spiderman issues didn't recieve their CCA seal of approval due to their drug related content.

The Green Lantern and X-Men comics also had parts of their series that dealt with drug issues along with racial and social minority themes. In my opinion (as usual, Its just that...my opinion) the X-Men comics inherently deals with racial and ethnic diversity in the sense that the characters themselves are considered mutants just because they are different from the rest of the world in one way or another. Yet they struggle for equality in their world regardless of how much good they have done for society.

Also due to the CCA loosening the leashes a little, there were a ton of non-superhero titles to hit the news stands. Some of the new stories were that of barbarian titles like Conan, Vampire comics, science fiction titles such as Star Wars and some more milder titles including Howard the Duck.

Some would say that the Bronze Age of the comics universe is still upon us. Others say that we have moved into the Modern era of comics. Since there has not been any real defining moment to signify the end of one and the beginning of the other...maybe its still too early to tell.

i am looking for the value of my comic books.bronze age,silver,etc. ?

to name a few i need help.ex.DC Detective comics, may 1988. it has batman dead w/lots of white bat eyes in bground.a character over him w/a spotlite wearing gas mask. ex.first issue of the night brigade,wonder comics,canada1987. Thor.Archie.Adventures of the outsiders.silver surfer.capt.amer.’s .gr lanterns.Two 30+Godzilla’s and spidey superstories w/ Marvil and the ELECTRIC company.

comicbookpriceguide.com , should come in very handy with your needs

Sideshow Collectibles – Star Wars – SDCC 2010 – Jango Fett Bronze Backstage Pass

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The Rise of the Red Skull in The Comics Universe

A classic comics look for The Red Skull

Rise of the Red Skull


The Red Skull is a name shared by three supervillains from the comics universe. All three versions of the character were mortal enemies of Captain America, other superheroes and the world in general. The first two versions of the character were Nazi soldiers and the third was an agent of Communism.

The Red Skull made his first appearance in comic books in Captain America Comics #1 published in 1941. The first Red Skull was a wealthy business man by the name of George John Maxom who was a secret Nazi agent in charge of a global ring of spies and saboteurs. Maxon went up against Captain America twice in the Silver Age of comics while trying to carry out his plans of genocide and world domination. The Red Skull (Maxon) was thought to be killed in his second skurmish with Captain America and as the story turned out, Maxon was only an agent for the true Red Skull, Johann Schmidt.

According to S.H.I.E.L.D., Johann Schmidt, the current Red Skull, is considered one of the greatest threats to the world. While working as a bellhop in his late teenage years, Schmidt was in the same room while Adolf Hitler was reprimanding one of his officers. As part of an insult to his officer, Hitler bragged about how he could make a better National Socialist out of a bellhop. Sensing the evil part of Schmidt’s personal character, Hitler recruited him and Schmidt eventually became Hitler’s right-hand man

Schmidt and Captain America had multiple run-ins during World War II with the final battle leaving Schmidt (The Red Skull) in the collapsed rubble of a bombed building. During the building’s collapse however, Schmidt was exposed to an experimental gas that left him in a state of suspended animation until he was found and revived decades later by members of HYDRA.

The Red Skull is tireless in his planning of world domination.

After the disappearance of Johann Schmidt in 1945 the reputation of the Red Skull was still a disturbing entity. So, 1953 saw the rise of the third Red Skull. This guy was an agent of communism named Albert Malik. Malik had assumed the Identity of the Red Skull, pretending to be the original. Malik even ran Schmidt’s spy/criminal rings himself from Northern Africa. Malik led everyone to believe he was working in the best interests of Germany while he was actually serving global communism. Long after Worl War II had passed Malik was shot and killed by an assassin named “Scourge of the Underworld” at the behest of the newly revived Johann Schmidt, the original Red Skull.

The third Red Skull, Albert Malik, is best known in the comics universe for causing the deaths of Richard and Mary Fitzpatrick-Parker, the parents of Peter Parker. This is how Peter came to be orhaned and ended up living with his Uncle Ben and Aunt May. As the story goes, Richard and Mary Parker were both undercover agents for S.H.I.E.L.D. and infiltrated the operations network of Albert Malik. When Malik discovered the Parkers’ identities and realized their plot against him, he hired an assassin named The Finisher who sabotaged the Parkers’ airplane causing it to crash effectively killing them both.

Eventhoughthe Red Skull has no superpowers to speak of, his senses are way above average despite all the scaring about his face and head. He was originally trained by German athletes appointed to him by Hitler himslef, so his hand-to-hand combat and martial arts skills are comparable to that of Captain America’s. He is also a highly skilled marksman with a wide variety of firearms and he is a well-trained demolitions expert. Although an obviously twisted individual due to his childhood (we’ll save that for another post) he is a political mastermind and a naturally gifted military strategist and expert at subversive techniques. He has a supervillainous intellect and an inventive genius that is said to rival that of Dr. Doom.

The Red Skull usually carries an array of explosives and firearms but his trademark was his “trick cigarette”. From this he would shoot a fatal gas that has been dubbed the “Dust of Death”. The dust was a very fine red powder that would kill within seconds of contact of your skin. The dust would cause the skin about the victim’s head and neck to become very tight, shrivel up and redden. At the same time that this was happening, the victim’s hair would fall out. All of this had the effect of making the victim look just like the Red Skull during their painful demise.

The Rise of the Red Skull in The Comics Universe - [caption id="attachment_5833" align="alignleft" width="201" caption="A classic comics look f...

“Anti-Heros” In The Comics Universe.

What would it take to push you this far?


The Anti-Hero

Author: Vince Platania, Jr.

Great, iconic heroes we’re not short on. They are commonplace and well known. Spider-Man, Captain America, Superman and the like are tried and true, and true blue, and all that good stuff. And that’s fine and well, we need that. But somewhere along the way someone decided we also needed a darker type of hero. An ‘anti-hero’ if you will.

Who the first superhero was is a an issue that will forever be debated, but I think it’s fair to say that the first somewhat anti-hero had to be DC Comics’ Batman. While he’s not quite as much of an anti-hero as, say, marvel comics the punisher, he’s certainly no bright and happy-go-lucky ball of sunshine either. He does have morals and limits, unlike many anti-heroes, but he still leans more to the darker side of the spectrum than his contemporaries of the truth and justice ilk.

The previously mentioned marvel comics the punisher is probably a more appropriate example of an anti-hero. He does what he does for justice, but he also does it for revenge. And, unlike Batman, he has no limits. He willingly kills and tortures those he deems worthy of his brand of justice and feels no remorse over it. He is one step away from becoming that which he despises, but yet he plays for the side of the angels and has fans all the same.

So what defines an anti-hero then? Is it just having a darker tone to their character, or a darker outlook on life? Perhaps, but in general they are also loners who don’t care about the public or personal perceptions of their behavior or character. They do what they want when they want as long as it meets their goals and feels right. They take no crap from anyone and stand up to everyone, and this has gained them a faithful audience of rebels who are tired of living their lives for other people. They provide a voice and actions their fans can’t take in the real world.

Weighing the costs of his actions.

In recent times, though, almost everyone is becoming an anti-hero. Wonder Woman now kills when she sees fit, Iron Man imprisons his own peers and creates a clone of Thor who kills a hero, and the list goes on. The dark sides of Superman, Spider-Man and Captain America have been seen, and Reed Richards of the Fantastic Four has been revealed as a selfish prick at times.

There are heroes, and there are anti-heroes, but the line is so blurred these days that one would be hard pressed to tell the difference.

Article Source: http://www.articlesbase.com/art-and-entertainment-articles/the-antihero-834830.html

About the Author

Follow the exploits of rockers DEMON TWEAK and the racing clan HARD DRIVING HEROES, as they battle the evil trickster Loki at http://www.classic-comic-book.com . Also read articles on your favorite classic comic book heroes written by our resident historian VIRGIL THE STORYTELLER.


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Comics: Evolution Through The Ages – Part II

The first Silver Age look of the Avengers before Captain American joined forces

Comics: The Silver Age

There was a short period of time between the Golden Age and the Silver Age of comics. After World War II had ended there was a dip in the demand for comics, especially superheros. This is understandable seeing how the Allied Forces had won the war and their respective countries were beginning to prosper and life was good. And why not we earned it. Super heroes inspired us during the war but now that it was over…It was at this time that the comic industry had introduced some new genres into the mix.

The comic publishers were now printing more stories of crime, horror and romance. On the social and family scene it was the criminal and horror comics that were said to be largely responsible for the rise in teenage crime and violence that had been seen at the time. So 1954 saw the creation of the CCA or The Comics Code Authority.

This “Authority” as it were was created to regulate the content that could be published in the comics. A form of censorship. Yep, that’s right, censorship to protect our innocent youth from the ill effects of such graphic depictions of gore, criminal behavior and sexual inuendo.

Publishers had to become members of the CCA and it is my understanding that the comic publishers had to submit every new installment for inspection or censorship (depending on how politically correct you like to be. I’m not much for being PC myself, I’m more realistic than that). Anyhow, the CCA created guidlines that the material had to abide by. These were things like… there were to be no depictions of criminals getting the best of any law enforcement especially no incidents of an officer dying from any of the criminals actions.

The CCA's seal of approval

Gruesome scenes of gore and excessive violence wasn’t permitted. There were special restrictions placed on using certain words. Anything that was related to any form of sexual deviation outside the sanctity of marriage was prohibited. Last but not least, good had to always triumph over evil! All of these types of things helped the return of the super hero into our lives.

Eventhough comic publishers could have published their materials pretty much how they had been, they wouldn’t have been able to sell the stuff. Part of the deal with the CCA was that if your material passes their scrutiny then they would impose their “Seal of Approval” on it and the vendors wouldn’t sell the comics without this formal “Okey Dokey” from the CCA. So at this point the publishers didn’t have much choice but to “play ball” if they wanted to make any sales.

The Silver Age of comics is generally referred to as the period of comic publications between the early to mid 1950′s to about 1970. These dates vary a little depending on who you talk to. For example, the credit for being the first new super hero to usher in the Silver Age is given to the Flash with his revival appearance in Showcase #4 by DC Comics in 1956 but the Martian Manhunter was the first exclusively published Silver Age super hero debuting in 1955. There is also Captain Comet debuting in 1951. This was a science fiction comic that made its frist appearance in a publication called Strange Adventures. This is why I say it “depends on who you talk to”. There doesn’t seem to be any particular event that closed the era either.

If you click on these Silver Age comics take notice that some have the CCA Seal of Approval on them.

The Silver Age saw the revival of more than one of the Golden Age’s biggest super heros but also saw the creation of some of today’s most popular characters. This era in comics saw the creation of the super hero team with the introducion of DC’s Justice League of America and Marvel responded to DC with their creation of the Fantastic Four. Other very popular heros of today were also launched during this time including Iron Man, X-men, Thor, Avengers, Daredevil and thanks to the atomic age and a dash of creative thought, The Hulk.

Rare Silver Age Marvel Comics DITKO Strange Tales Gold rare modern too

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Enemies Of The Dark Knight


The Players: Romero, Nicholson and Ledger



The Popular Nemeses of Batman

Author: Roberta Knight

Like any other respectable superhero, Batman has had his fair share of enemies. Considering that it is almost seventy years since the creation of ‘The Caped Crusader’ you can imagine that to comprise a detailed dossier of each and every foe that Batman has faced would be a mammoth task.

Instead of listing all of his adversaries to date (most of whom few of us would ever have heard of) it would probably be more interesting to mention the most dangerous and infamous.

First up is, of course, The Joker. Out of all of the characters to create misery for Batman he must take first place. The Joker, name aside, is not to be taken lightly. He is a worthy opponent of Batman and is extremely unpredictable and dangerous. Jack Nicholson did a great job of playing the character in 1989′s ‘Batman’ but it has to be said that the late Heath Ledger probably bettered him if only for the dark and downright disturbing edge that he brought to the role in 2008′s ‘The Dark Knight’.

Devito Brought The Penguin To Life.

Next up is The Penguin, so named because of his appearance and its similarity to the Antarctic bird. With his long, beak-like nose and squat body he is a rather repulsive character. He is, however, a very intelligent man. He sees himself as a ‘higher being’ but he is also very much of an outcast. In the sixties ‘Batman’ series he was portrayed by Burgess Meredith but of the actors that have played the role Danny DeVito got it down to a tee in 1992′s ‘Batman Returns’. While we are on the subject of that movie there is also Catwoman to mention. Who could forget Michelle Pfeiffer’s sexy slant on the P.V.C. clad villainess? The character had already been portrayed very well by the late Eartha Kitt twenty-five years previously. Who is the rightful queen of that part is debatable.

The Late Eartha Kitt Was Purrr-fect For Catwoman


The Late Frank Gorshin as The Riddler

Then there is The Riddler. Between 1967 and 1968 during the ‘Batman’ series the character was played by both Frank Gorshin and John Astin. In 1995 Jim Carrey became The Riddler for ‘Batman Forever’. The Riddler, as his name suggests, is obsessed with riddles. He frequently sends complicated clues to both Batman and the police before committing a crime. The Riddler is always dressed in a green outfit with a domino mask. A lot of the time he is accompanied by two female accomplices named Echo and Query.

Arnold Made A Chilling Mr. Freeze.

Our last enemy of Batman is Mister Freeze. He first appeared in Detective Comics as ‘Mister Zero’ and wasn’t a particularly dangerous character. However, after appearing in the ‘Batman’ series of the sixties on several different occasions he became ‘Mister Freeze’, a far more serious threat to our hero. He is a mad scientist who just so happens to have a great understanding of cryonics. To survive anywhere except for a special refrigeration unit, Mister Freeze is forced to wear a special suit to keep him sufficiently cold. His suit gives him superhuman strength and he uses weapons of his own invention that harness cold in destructive ways. In 1997′s ‘Batman and Robin’ he was played by the well cast Arnold Schwarzenegger.

So, as you can see, Batman has his work cut out. And remember…these are just a few of many, many more.

batman costumes

Article Source: http://www.articlesbase.com/movies-articles/the-popular-nemeses-of-batman-2595578.html

About the Author

Roberta Knight organises children’s parties and supplies jack sparrow costumes



Getting Interrogated By The Man!

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The Wonders Of Wonder Woman

Wonder Woman's First Appearance.

How She Came To Be And A Little History.

Wonder Woman is a DC Comics super heroine created by William Marston, first appearing in December 1941’s number 8 issue of All Star Comics. Wonder Woman, Superman and Batman are the only three characters to have been continuously published by DC Comics since the company began in 1944.

Back in the 1940’s all of the comic book heroes up to that point were all men. Seeing her husband’s efforts to create a new superhero his wife Elizabeth, whom Marston himself considered an unconventional and liberated woman, actually came up with the idea of developing the first female superhero.

Wonder Woman is an Amazon, as in the Amazons of Greek mythology, and was created by Mr. Marston to be a “uniquely feminine role model with a mission bringing the Amazon ideals of love, peace, and sexual equality to a world ruled by the “corruption of men”. Her character was originally developed with powers that included the ability to fly, superhuman strength, super-speed, super-stamina, and super-agility. She is highly proficient in hand-to-hand combat and she is a skilled military tactician. She also has an animal-like cunning and a natural connection with the animal kingdom, which has been presented in her history as actually having the ability to communicate with animals. She uses a pair of indestructible bracelets and her Lasso of Truth, which forces you to tell the truth when bound by it, and she also has an invisible airplane.

The Feminine Look Of Justice.

Her character was created during World War II, when she was initially depicted fighting the Nazis and the other evil military axis powers of the present day, as well as any other supervillains that were planning their own brand of world domination. In later decades, the World War II setting was often maintained, while other writers updated the series to stay currant and keep up with the times. Wonder Woman has also regularly appeared in comic books featuring the 1941 superhero team Justice Society and the1960’s Justice League. Unequivocally the most popular and iconic female superhero in the world of comics, Wonder Woman is also considered a feminist icon and is considered, with Superman and Batman, as one of the “trinity” of DC characters. Diana is regarded as extremely physically attractive even by the standards of the superheroine. She was named the twentieth greatest comic book character by Empire magazine.

In addition to the comics, Her character has appeared in other media—most memorably the 1975-1979 Wonder Woman TV series starring Lynda Carter, but also in cartoons such as the Super Friends and Justice League. Although a number of attempts have been made to adapt the character to the big-screen for her own full length feature, her appearance in the upcoming Justice League movie is going to be her earliest. An animated film was released in 2009.

Evolution of the character

In the beginning, Wonder Woman is an Amazon champion, the best of her kind, who wins the right to return Steve Trevor, the United States intelligence officer whose plane crashed on Paradise Island, the Amazons’ isolated island homeland—to the “Realm of Men” and fight the evil of the Nazis and other villains of the day.

The theme song was kind of corny but Linda Carter was pretty awesome back in the day as Wonder Woman and if you’re too young and have never seen it then check out this classic stuff.

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Pen Ink

Pen Ink

How to draw in pen and ink – illustration techniques